In Southern India, Bhajanais follow a tradition (Sampradaya) called the Dakshina Bharatha Sampradaya Bhajanai. They are found all over India and Nepal, but are particularly popular among the Vaishnavism sub-traditions such as those driven by devotion to avatars of Vishnu such as Krishna, Rama, Vitthal and Narayana (often with their consorts). Hindu Bhajans Ī Bhajan in Hindu traditions is an informal, loosely structured devotional song with music in a regional language.
Devotional music genre such as Bhajan are part of a tradition that emerged from these roots.
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This supreme truth is considered as full of bliss and rasa (emotional taste) in the Hindu thought, and melodic sound considered a part of human spiritual experience. The Vedas and Upanishads celebrate Nada-Brahman, where certain sounds are considered elemental, triggering emotional feelings without necessarily having a literal meaning, and this is deemed sacred, liminal experience of the primeval ultimate reality and supreme truth. The Vedic traditions integrated rituals with performance arts, such as a dramatic play, where not only praises to gods were recited or sung, but the dialogues were part of a dramatic representation and discussion of spiritual themes. The art schools of Shilalin and Krishashva may have been associated with the performance of Vedic rituals, which involved story telling with embedded ethical values. Other late Vedic texts mention the two scholars Shilalin ( IAST: Śilālin) and Krishashva (IAST: Kṛśaśva), credited to be pioneers in the studies of ancient drama, singing and dance. The Samaveda Samhita is not meant to be read as a text, it is like a musical score sheet that must be heard. In Hinduism, Bhajan and its Bhakti analog Kirtan, have roots in the ancient metric and musical traditions of the Vedic era, particularly the Samaveda. The word also connotes "attachment, devotion to, fondness for, homage, faith or love, worship, piety to something as a spiritual, religious principle or means of salvation". The Sanskrit word bhajan or bhajana is derived from the root bhaj, which means "divide, share, partake, participate, to belong to". 5 Modern composers and singers of Bhajans.2.3 Bhajan versus Kirtan in the Hindu traditions.
Its genre such as Nirguni, Gorakhanathi, Vallabhapanthi, Ashtachhap, Madhura-bhakti and the traditional South Indian form Sampradya Bhajan each have their own repertoire and methods of singing. South Indian bhakti pioneers, but bhajans have been widely composed anonymously and shared as a musical and arts tradition. Ideas from scriptures, legendary epics, the teachings of saints and loving devotion to a deity are the typical subjects of bhajans. Within Hinduism, it is particularly prevalent in Vaishnavism. It is found in the various traditions of Hinduism as well as Jainism. It belongs to a genre of music and arts that developed with the Bhakti movement.
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Īs a bhajan has no prescribed form, or set rules, it is in free form, normally lyrical and based on melodic ragas. A bhajan may be sung in a temple, in a home, under a tree in the open, near a river bank or a place of historic significance. Handheld small cymbals ( kartals) are commonly used to maintain the beat, rhythm. Minimally there is a percussion accompaniment such as tabla, dholak or a tambourine. The term ' bhajan' is also commonly used to refer a group event, with one or more lead singers, accompanied with music, and sometimes dancing. The term bhajanam ( Sanskrit: भजनम्) means reverence and originates from the root word bhaj (Sanskrit: भज्), which means to revere, as in 'Bhaja Govindam' ( Revere Govinda). 1735 (Rajasthan)īhajan refers to any devotional song with a religious theme or spiritual ideas, specifically among Indian religions, in any of the languages from the Indian subcontinent.
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