Unfortunately we can't offer free returns on any item that is sent abroad. The only criteria is that the record must be returned to us in the same condition it was sent out and be within 30 days. All you'll have to do is print the label out, stick it on the front and drop it into a post office. The problem? Returning it costs more than the record itself and frankly is more hassle than it's worth.ĭecide your record isn't what you wanted? No problem!ĭrop us an email at or use our Contact Us page and we will send you a return label to return the item to us. We've all been there - the record isn't quite as described, the sleeve has got a small imperfection you didn't notice or you simply changed your mind. One of the fundamental goals of Atlas Records is to ensure that none of our customers are ever stuck with a record they don't want. In this case the record grading A: Ex B:VG means the A side is Ex and B side is VG. Sometimes the record is of different quality on the ' A ' and 'B' side. The cover and contents will be badly damaged or partly missing. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration etc.įair: The record is still just playable but has not been cared for properly and displays considerable surface noise: it may even jump. Good: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. Normal wear and tear on the cover or extra items, without any major defects, is acceptable Very Good: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. The cover and packaging might have slight wear and / or creasing. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect conditionĮxcellent: The record shows some signs of having been played, but there is very little lessening of sound quality. Mint: The record itself is in brand new condition with no surface marks or deterioration in sound quality. We grade according to the Record Collectors Grading Guide, the details of which are below: We're so confident of our grading process that we offer free returns for any reason. You might find our gradings are lower than our competitors - that's because if a record looks fantastic but plays terribly we will grade it low on the scale, whereas others may grade it very highly because visually they look good.įor that reason, when we grade records equivalently they actually sound the same, so you know exactly what to expect. Some material may be inappropriate for children under 13.Records are for playing, which is why we believe in accurately describing the sound , not the look of the record, so we play-test every single record we sell. MPAA rating definition for PG-13: Parents strongly cautioned. release, is rated PG-13 by the Motion Picture Association of America for “intense sequences of destruction, mayhem and creature violence. While the predictable sequel has not yet been confirmed, one thing is clear: Edwards’ version of “Godzilla” remains the ultimate monster movie. He’s more than a catastrophic beast and we’re on his side when he swims off into the sunset. He’s here to be its hero and his massive showdown - fiery radioactive breath and all - against the MUTOs is the highlight. However, the balance between the family-focused story line and intense action sequences is bound to please others.Ī threat to the planet in the ‘50s version, Godzilla isn’t out to take the world down this time. Godzilla isn’t oversold, although for some, his lack of screentime won’t be satisfying enough. But in the hands of visual effects guru Jim Rygiel (“The Lord of the Rings” franchise), the contemporary take looks incredibly fluid and Godzilla’s movements appear far more natural.īut we’re not bombarded with excessive CGI here. In the original film, made using stop-motion photography, an actor stomped around a miniature Tokyo in a latex suit. Honoring the eerie music of the original, this film’s score by Alexandre Desplat (“Argo”) is equally menacing, rich with horns that complement the consistently serious tone of the movie. His terrifying yet textured roar shakes the theater.Īiming for a realistic take on how we might react to an invasion by giant creatures, Edwards makes sure our view of them rarely shifts from the human perspective.
#Jeff lorber fusion monster man skin
The tallest of any Godzillas before him, this one stands 355 feet high - about 30 stories - with glistening, scaly skin and dorsal fin spikes down his back. When we finally see Godzilla - just shy of an hour into the film - the anticipation has built to such a degree that we expect to be awe-struck. Instead, the film focuses on Ford’s family story, which Borenstein takes his time developing.
0 kommentar(er)
